PCC 60th: Bill Cravens, Herb Kane, Tui’one Pulotu and the Tongan Kalia
A Tongan kalia-styled canoe canoe, designed by the late Hawaiian artist Herb Kane, used to be tied offshore of the Polynesian Cultural Center’s Tongan Village.
A Tongan kalia-styled canoe canoe, designed by the late Hawaiian artist Herb Kane, used to be tied offshore of the Polynesian Cultural Center’s Tongan Village.
From the Village to the World Stage: Meet Crease Tofa. Raised in the heart of Savaii, Samoa, Creasepaul Tofa brings the traditions of his ancestors to life at the Polynesian Cultural Center. From fire knife dancing and coconut husking to night diving and carving, Crease’s story is one of cultural pride, resilience, and teaching the next generation.
When Christian Wilson began writing a story as a teen about a shipwreck in French Polynesia, he had no idea it mirrored the real-life survival story of his great-great-grandparents—who nearly perished in the 1855 Julia Ann disaster. Years later, he’d find himself called to serve a mission in those very islands and eventually help pioneer PCC’s first digital systems. Discover how faith, family, and divine connections span generations in this remarkable true story.
Tucked within the sounds of the Polynesian Cultural Center’s Hawaiian Village is a rare musical gem: the soulful resonance of kī ho‘alu — slack key guitar. Whether you’re strolling by or sitting in on a demonstration, if you’re lucky, you might hear Kaipo Mānoa’s fingers dance across the strings, carrying forward a once-hidden Hawaiian tradition. Discover how this deeply personal style evolved from cowboy roots into a world-renowned symbol of Hawaiian identity.
From humble beginnings to historic leadership, William H. Cravens left a lasting legacy at the Polynesian Cultural Center and beyond. Discover the story of a man whose love for culture, community, and faith shaped generations — and helped build the foundation of the PCC we know today.
Jack and Kit Regas lived a life of love, legacy, and light—from Hollywood stages to sacred callings, touching thousands through dance, faith, and family. A 71-year love story that still echoes, tap shoes in hand.
Allan Barcarse, a Church College of Hawaii alumnus and one of the original Polynesian Cultural Center dancers, left a legacy that spanned continents. From learning Japanese on his mission to sharing Hawaiian culture across Asia, Latin America, and Europe, his life was a powerful blend of faith, performance, and education.
Larry G. Nielson, the Polynesian Cultural Center’s very first stage manager in what is now the Hale Aloha, brought an impressive list of talents with him when he became one of the PCC’s earliest employees in 1962.
Tekura Tamatoa Traill, a proud Cook Islander raised in Auckland, New Zealand, recently graduated from BYU–Hawaii and returned home after four transformative years working at the Polynesian Cultural Center. From learning Māori dance for the first time to meeting global friends—and even her husband—her journey reflects the deep cultural and personal growth made possible through the IWES program.