Labor missionary Percy TeHira, a New Zealand Māori who also previously served as a labor missionary in New Zealand, paints traditional kowhaiwhai designs on the window frames of the meeting house in the Polynesian Cultural Centerʻs Maori Village. in 1963. (Photo courtesy of the BYU–Hawaii Archives)
In the early 1960s as a missionary in Sāmata, Savai‘i, I once joined a high chief for breakfast, served *sua pusi*—moray eel cooked in coconut milk. A guest refused to eat, noting that not even flies would land on it. Later that day, a truckload of villagers was rushed to the hospital with food poisoning from that same eel. My companion and I, protected by the Lord’s promise, felt no sickness at all. I’ve never eaten eel again.
In the early 2000s, PCC reclaimed control of its transportation—and its guest experience. After decades of Waikīkī tour operators consolidating ticket sales, dictating schedules, and siphoning retail and dining, President & CEO Alfred Grace and strategist J. Alan Walker led a 2002 reset: no more consolidation, direct sales incentives, and PCC-managed charters and dispatch. Buses arrived earlier, NPS rose, margins improved, and partnerships professionalized (eventually with Roberts Hawai‘i and camera-based quality scoring). The shift remains a strategic victory for PCC.
In 2024, BYU–Hawaii alumnus Mark Ellis became the Polynesian Cultural Center’s first director of voyaging experiences, leading the Iosepa on its first open-ocean journey in eight years. The 57-foot double-hulled canoe joined 26 traditional vessels at FestPAC in Kualoa, then circumnavigated O‘ahu before returning to Lā‘ie. Ellis, inspired as a boy by the Hōkūle‘a’s historic voyages, continues the renaissance of Pacific wayfinding traditions, strengthening Hawaiian identity and honoring ancestral knowledge preserved through generations of navigators.
The 2025 Polynesian Football Hall of Fame Induction Ceremony at the Polynesian Cultural Center honored three remarkable figures whose achievements reflect the strength, spirit, and legacy of Polynesia. Jim Nicholson, Chris Kemoeatu, and Kalani Sitake were celebrated for their contributions to football and culture, inspiring future generations with their dedication, humility, and deep roots in the Polynesian community.
Directed by Blair Treu, Sharing Aloha offers a heartfelt look into the lives of BYU–Hawaii students behind the Polynesian Cultural Center’s night show. Premiered at the Zions Indie Film Fest, the documentary highlights their cultural journey, sacrifices, and spirit of aloha.
In June 2024, the Polynesian Cultural Center and BYU–Hawaii worked together to prepare and sail the beautiful 57-foot traditional wooden Hawaiian sailing canoe Iosepa to Kualoa to participate in the Pacific Festival gathering of canoes at Kualoa. On its way back to Laie, the Iosepa circumnavigated Oahu.
Many of the Polynesian Cultural Center students who participated in the 1966 mainland promotion to the Hollywood Bowl and Salt Lake City said their visit with President David O. McKay and his wife, Emma, at their home in Huntsville, Utah, was the highlight of the trip.
When Elder Michael Theobald and his wife, Sister Shauna Theobald, completed their volunteer service as senior leadership training missionaries for full-time employees and orientation for new Center student workers in October 2017, it wasn’t his first experience at the Cultural Center.
In the summer of 1963, while labor missionaries and community volunteers were still finishing the future PCC, Elder Theobald was a 14-year-old teenager who also had opportunities to help. Read his memories about those early Center days at:
https://blog.polynesia.com/michael-theobald
