Equally gifted at a piano and computer keyboard, Kwun Fung “Ivan” Lee blends faith, intellect, and innovation in remarkable ways. A BYU–Hawaii science and mathematics major, he balances research at the PCC with a passion for music. Guided by a patriarchal blessing, Ivan chose education over comfort—building systems that serve others while pursuing purpose beyond success.
Laie Inn manager Craig Huish played a key role in promoting the Polynesian Cultural Center for 12 years.
Matuauto Steve Lāʻulu, Island Manager at the Polynesian Cultural Center, reflects on his journey from student employee to leader, shaped by culture, hard work, and opportunity. Featured in The Aloha Experiment (1978) and now witnessing Sharing Aloha (2025), Lāʻulu sees both films as testaments to cultural preservation and student empowerment. For him, the PCC is a living museum—one that preserves Pacific Island heritage while providing life-changing educational opportunities for students far from home.
Earl Cropper’s life reflects a deep connection to Hawaiʻi, education, and service. After serving a mission in Hawaiʻi (1962–64), he enrolled at Church College of Hawaii and worked in the early days of the Polynesian Cultural Center. A former student body president, Earl built a career and family in Utah while giving back generously through the Matthew Cowley Society, believing education transforms families, communities, and future generations.
Returning to Lā‘ie after his mission, Eric Workman never imagined how deeply his life—and career—would be shaped by the Polynesian Cultural Center. From a chance meeting with his future wife to decades of leadership marked by innovation, service, and resilience, Eric’s journey reflects a lifelong commitment to people, purpose, and place. His story is one of returning home with vision, stewarding growth through change, and leaving a legacy rooted in Aloha.
In the early 1960s, while serving in the Sāmoa Apia Mission, Elder Ron Haymore helped fulfill a unique request from the Polynesian Cultural Center—to acquire authentic ‘afa, the coconut fiber cordage traditionally used to lash wooden structures. Under Mission President John Phillip Hanks’ direction, Elder Haymore traveled across Upolu with local matai, visiting villages and gathering coils of ‘afa. His small but meaningful effort became part of the PCC’s early construction legacy, connecting craftsmanship and culture across the Pacific.
Over 200 former members of the Polynesian Cultural Center’s hālau hula, Hui Ho‘oulu Aloha, gathered in Laie on August 16, 2025, for a heartfelt reunion celebrating over 40 years of hula legacy. Founded in the early 1980s under kumu hula Cy Bridges, Keith Awai, Enoka Kaina, and “Uncle Bill” Wallace III, the group once competed at Merrie Monarch and other festivals. The reunion, filled with song, stories, and impromptu hula, honored past members and rekindled cherished bonds.
Growing up in one of Suva’s toughest neighborhoods, Timoci (Jimmy) Kean learned that “We love to compete” wasn’t just about basketball—it was about life. Facing poverty and constant temptation, Jimmy found strength through faith, education, and opportunity. His journey from Raiwaqa to BYU–Hawaii and the Polynesian Cultural Center is a powerful story of resilience and transformation.
Tahitian dancer Atea Lee Chip Sao turned every challenge into a stepping stone. From his first lūʻau performance to earning a spot in HĀ: Breath of Life at the Polynesian Cultural Center, his journey reflects determination and faith. Inspired by his mission in Fiji, Atea rediscovered pride in his Tahitian roots and culture. Today, he continues to tell stories through dance and photography, sharing the same passion, expression, and connection that shaped his path.
